文艺病是世界通用的，只是没想到生孩子这件事原来在北欧也值得好好讨论一番，但是即使最后已经面对生死问题了，电影依旧不沉重，大概他们所要面对的只是内心的一种选择，我们要面对的是家族、是外界给与的整个压力

本能的排斥方案B，大地影视资源中文第二页其实不见得是事业心有多强，而是不想为了一个不确定的人放弃能确定的。一是婴儿哭啼，二是学游戏，三是青春物语，四是碰巧遇见你，如果五是你也喜欢我就好了。

真的惊喜，前半段普通爱情小品，后半段普通人生，特别是中间段那个魔幻处理，就微小的幻想爱情片段，没想到后面这么好。世界上最糟糕的人就是最忠实于自己的人吧，一会儿这样一会儿那样，哪怕背叛、逃避、不和解，也不想勉强，不是说哪样好哪样不好，普通一生就很好了。

袁立很耐看，大地影视资源中文第二页这个时候。其实还是比较的影射官场的近态。千年不变的格局。

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.